Bold public art combines natural history with modern culture
A new public art display blending car culture with environmental history is coming to Downtown Vancouver.
The “Trans Am Totem” artistically combines consumer culture with ancient Vancouver history by stacking a pile of junkyard cars on top of a 20 feet high old growth cedar tree. North Vancouver artist Marcus Bowcott describes the piece as a “meditation on contemporary technological culture” while relating it to the history of the False Creek region.
“Each car – ‘extension of our bodies’ – projects it’s own, unique aesthetic. In aggregate, they refer to our dominant consumer culture. The ubiquitous presence of cars in our midst has fundamentally re-shaped our landscape,” Bowcott describes.
The landscape he refers to is the False Creek of 150 years ago, one shadowed by a pristine old growth forest verging on the shoreline’s tidal flats. It would later become Vancouver’s core industrial zone and sawmill site, pumping out old growth trees into timber. In the years before Expo ’86, the sawmills were removed and dense high-rises, roadways and stadiums sprouted.
Bowcott explains, “Trans Am Totem reflects upon this site and it’s history through references to old growth forest, logging and stacked, manufactured structures.”
As part of the Vancouver Biennale, the “Trans Am Totem” installation will be placed on a traffic median on Quebec Street at Milross Avenue, just beside the Georgia Viaduct and the Expo SkyTrain line, on Monday.
In order to install the large piece, Bowcott needs to raise another $6,500 and has started an Indiegogo campaign.